Friday, July 24, 2020

"The Secret History"

“The Secret History”

Written by Donna Tartt

Reviewed by Diana Iozzia


The Secret History

The Secret History is a modern classic, that helped define the dark academia genre. The genre is classified by its mix for characters’ appreciation and love for Greek, Roman, Italian, French, and romantic culture, and the characters’ descent into dark crimes. The setting is almost always an exclusive boarding school or college. Other famous novels, which I have all read, in this genre are If We Were Villains, Long Black Veil, Dead Poets Society, Black Chalk, and She was Always the Quiet One. As an anglophile who would consider this genre to be a favorite, I knew for years I wanted to go to the core, to return to the roots of this type of novel. Many say that The Secret History and Dead Poets are the parents of this genre, so I was thrilled to begin.

 

This novel, one of Donna Tartt’s masterpieces, about a group of Classics majors at an elite university has become praised, mocked, and emulated in many popular films and television shows. Most recently, a teen favorite to love and hate, Riverdale centered its fourth season around the similar theme, with a main character beginning school at a literature-centered boarding school. There are characters similar to Tartt’s, including a character even named after her, called Donna Sweett. Tartt’s novel has such lasting power, that so many works have been inspired by her. My favorite is mentioned earlier, If We Were Villains, about a close-knit group of theatre students who begin acting suspiciously like their William Shakespearean counterparts.

 

In The Secret History, we meet a cult-like group of individuals, obsessed with classics culture and speaking romance languages. Charles and Camilla are twins, bordering on the incestuous side. Francis is wild yet reliable. Henry is a sensitive yet caring guy. Lastly, Edmund “Bunny” Corcoran is Henry’s foil, a rude and terrible man who takes advantage of everyone in the group. However, the story starts out on a very interesting note: our narrator, Richard, tells us the investigation team and police have found Bunny’s body after ten days of his murder. Richard also tells us that he and his friends are behind it. The story then propels backward to the beginning of Richard’s education at the Hampden boarding school, showing us each character’s descent into mania and madness.

 

Tartt does an excellent job at creating characters that are meant to be disliked, beloved, frowned upon, and absolutely hated. Depending on the reader’s personality type, Tartt’s characters will be relatable to some, while all readers can agree that Bunny is purely disgusting. However, we readers must look upon our own moral compass and decide if his death is justified.

 

Tartt’s writing style may be off-putting to some, but I found myself eating it up like ice cream. I found her verbose and eloquent way of writing to perfectly match the story style. Each character has distinct mannerisms, vocabularies, and personality traits that easily define them and allow us readers to find them significant. Additionally, a dark tale at an elite university would require thick language and require references to the romance languages these characters speak. To some, the language and dialogue may feel pompous, but I believe that the story could not be told in any other fashion. The bombastic style allows the story to feel authentic. While I personally never attended a university or boarding school, I can recognize the human nature and imagine myself there. Her more irritating characters feel realistically annoying. Tartt’s work never feels excessive, and readers can appreciate the time, effort, and research she invested into this project.

 

I personally loved the story, but I must acknowledge some flaws. There are some horrific moments of sexual content that has not aged well. We must consider the time it was written and also which characters are saying and acting this way. We are not meant to sympathize and agree with the horrific words and actions in which the main characters partake. Additionally, I believe that many readers could find frustration in how long the story is. In comparison, I find other stories in the dark academia genre to not be long enough. The Secret History takes place over the darkest year of Richard’s life, so it would feel it would be an injustice to have the story take place over only 300 pages. The 550+ page length of the story includes fleshed-out characters, intense but vivid scenes, and appealing sequences. Many novels do not include every length that Tartt has included. I only wish we could have a current adaptation of this, perhaps into a mini-series directed and acted in by the best and brightest of current Hollywood.

 

Moreover, this novel includes LGBT characters, similar to If We Were Villains. Thankfully, in comparison, Tartt does not use the LGBT characters to send a graphic message or manipulate the characters specifically because of their sexuality. However, I still do not think the representation of the LGBT characters, especially for Francis and Richard, was a successful one, merely glossing over certain moments due to the characters’ inebriation. As mentioned above, I do warn about the incestuous relationships, and the sexual content. Also, this genre glorifies murder, smoking, drugs, alcohol, sleepless nights, and unhealthy relationships.

 

Furthermore, I highly recommend this novel to those who have enjoyed all books, films, and television programs I have mentioned above. Those who love gothic and dark themes, especially in works for young adults and teens, may enjoy this novel, if they have not yet learned about it. I also recommend this book to lovers of Carrie, Heathers, Kill Your Darlings, Never Let Me Go, and even Rope.

 

Lastly, I will rate The Secret History at 5 out of 5 stars. I was very lucky to find my copy at a free little library, but I will plan to buy a nicer and cleaner copy.


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