"Half a World Away" Book Review

 Half a World Away

Written by Mike Gayle

Reviewed by Diana Iozzia

 

Half a World Away happens to be a novel that I had looked forward to for months. After misplacing my secondhand copy, a day after finding it, I longed to find it once more. I returned back to the United States after staying with my fiancé for a good majority of 2020, I found a new hardcover copy of it on my bookshelf, thanks to the lovely publisher.

Half a World Away was written from two perspectives: of tired, overwhelmed single mother Kerry and her long-lost brother, Noah, who is struggling with an impending divorce. The two characters were separated by the English foster care system. Kerry grew up in a home and eventually aged out of the system, while Noah was adopted by a kind, large family. Although they were not connected until mid-adulthood, Kerry has written to Noah so they can meet and become reacquainted.

The premise itself is not one that I would typically be drawn to, but the allure of the long-lost novel and the long-lost plot intrigued me. I personally felt that the premise itself was executed well, but my enjoyment while reading was lackluster. First and foremost, Mike Gayle’s writing style is extremely lengthy and excessive. Nearly every paragraph has at least four lines, and at one point I counted one paragraph to be twenty-three lines long. The characters ramble within their own thoughts, and the dialogue is just as ridiculous. Kerry and Noah’s dialogue, as well as other characters, is presented more as a monologue or a speech, as if each paragraph is meant to be a groundbreaking, plot-revealing moment. I felt that most of the time, many chunks of dialogue were unnecessary.

Additionally, I found it extremely difficult to decipher any differences in the way each perspective was told; Kerry’s and Noah’s prose was nearly identical, without any different calling cards to spice up the prose.

I found it incredibly difficult to like Kerry and Noah. Kerry loses her temper often, she smacks her child, and consistently lies so that her life runs more smoothly. Are we supposed to pity and / or sympathize with her? Noah is a better person, but I still find him tiring to read. His entire commentary seems to be ‘I don’t know how to trust people, because I was adopted. Did you know? Did you know that I was adopted? I’ll tell you nine more times in this chapter, in case you forget.’ Many of the decisions Kerry and Noah make seem rushed and immature, which makes me lose my interest in them almost immediately after I find some.

 Lastly, I felt there were too many scenes that were too short. Imagine, having paragraphs so long that they fit half a page, but half a chapter is dedicated to an interesting location or adventure, like when they went to Brighton together. It felt so disappointing to have the characters travel there, eat a cone of chips, and head home. Then, we learned much of the conversation that was had through the other character’s perspective, in the next chapter. Too much of the novel just gives away exposition without actually providing an interesting plot or sequence of events.

However, there are some positive aspects to the novel. I enjoyed the idea of the separated siblings becoming close once again. Their plot lines of struggling with their marriages and children felt very natural, and I appreciated the inclusion of them to flesh out the characters. As someone who has a personal connection to separated relatives, I felt it interesting to see how these characters reacted to similar events. I could see why some readers may recommend this novel to fans of This is Us, Gilmore Girls, and Parenthood for the tough but sentimental family drama. The ending felt incredibly predictable, but I was still not really interested in its execution. I feel that most readers and writers could have predicted each plot point in order.

Unfortunately, I disliked this novel more than I liked it. I would consider reading another novel by this same author, but I just cannot speak to the brilliance of this one. The lackluster plot and writing style brought the novel down for me, lessening my enjoyment.

 

I rate this book at three stars out of five stars. Thank you to Hodder and Stoughton for sending along a finished review copy.

"Best Kept Secret" Book Review

 Best Kept Secret

Written by Amy Hatvany

Reviewed by Diana Iozzia

    How to start writing a review, after stopping for about seven months of not doing so. Well, I have been busy, as most of us have been. Burn out, Covid, and my personal life have all contributed to my lack of interest posting about books on social media. I've gained weight, and I find it difficult to appear in pictures. Strangely enough, I feel myself ready to return. The first book I have read since deciding to start book blogging again is Best Kept Secret by Amy Hatvany.

    Do we still consider dramatic fiction about women to be called women's fiction? Do we still need to categorize novels based on the gender of who primarily reads them? I am sure that the Lifetime company leans into their female audience with far too many puns about cats, fire, and make-up, but perhaps we shouldn't be doing that as readers.

    Best Kept Secret is a drama fiction novel, following the main character, Cadence, as she struggles to keep custody of her son while she battles heavy alcoholism. Ask me if I would have read this two years ago, two months ago, two years from now? I am not sure. As someone who has an unhealthy relationship with alcohol, one who has stopped drinking entirely at twenty-five years old, perhaps this book hit close to home. We can joke endlessly about women and teachers who need a whole bottle of wine at the end of a busy day, but perhaps we should not use language about alcohol so freely in comedy.

    Cadence's family and friends are not wonderfully supportive, but as she quickly spirals and hits rock bottom, those people around her start to forgive and help. Although the novel does not have a particularly enlightening ending, I found it fitting and appropriate. There is no shocking plot twist, and I am quite glad for that. Thinking this novel to be intriguing and arresting is one thing, but we do not need every fiction involving a female to have a heart-stopping climax. Most of the novel does feel slow and belabored, however, it creates a fuller and more effective plot.

    Amy Hatvany writes in a brilliant style, providing all the right details, creating interesting sequences, and fleshing out every character. Although the plot was not ideal for someone like me, I felt that I enjoyed the book, because she wrote it. I firmly intend to read any future books by her. I could recommend Best Kept Secret to fans of Jeannette Walls and Colleen Hoover. 

"The Seven & 1/2 Deaths of Evelyn Hardcastle"

 "The Seven and 1/2 Deaths of Evelyn Hardcastle"

Written by Stuart Turton

Reviewed by Diana Iozzia

 The Seven and 1/2 Deaths of Evelyn Hardcastle is a dark murder mystery, in a bizarre setting. We meet Aiden Bishop, our narrator, as he finds himself confused and trapped in the body of a Mr. Sebastian Bell. He is informed by a man dressed in a plague doctor costume, that Evelyn Hardcastle, the daughter of the legendary if not infamous Hardcastle family, will die eight separate days in a row, unless Aiden can solve the mystery of who killed her. On each of the eight days, he will inhabit the body of different hosts, in which he will use their skill set and personality to help him uncover the mystery. However, he is not alone in this quest. Anna, a woman who he remembers somehow, wakes every day without memory, to be taught each day by the hosts and a notebook that Aiden keeps. There are other rivals, like him, who are searching to solve the mystery first.

In the guise of a masquerade ball, Aiden blends in as each host, playing different archetypes: the heir, the banker, the gambler, the butler, and more. Each day is repeated in the same manner, similar to Groundhog Day. Certain objects can be remembered by Aiden each day to help him in his quest, like chess pieces and a compass. Aiden learns that he can leave notes as one host to be read by other guests that day and the next. His plans become very complex and tactical, which are over-explained for the readers to follow. I admit that in many chapters of the book, I felt confused beyond relief. In the final days and the climax, we readers receive a large amount of plot twists and interesting information, that explain the 'game' and who Aiden and Anna really are. I felt pleasantly surprised every step of the way, after anticipating the book since I had first heard of it.

Although this novel relies on suspended disbelief and gimmick, I think it is more than worthy of the buzz surrounding it. The plot, characters, dialogue, and story were so interesting and fun to read. I feel that those who enjoy Knives Out, Agatha Christie, Shirley Jackson, the game and film Clue, F. Scott Fitzgerald, and Charles Dickens would enjoy this story. I enjoyed the elegant and opulent feel, juxtaposed with the dark and malevolent wishes of its characters in Blackhearth Manor. If only Vincent Price was alive to this day; he would have loved to be a part of a film or miniseries production. 

I absolutely adored this novel, even though it was difficult and manipulative at times. I feel that it's best served with a steaming cup of coffee, or whiskey if that's your pleasure. This novel requires stark concentration and note-taking. Good luck!

I rated this novel at 5 out of 5 stars. I eagerly anticipate to read more of this author's work.

"All the Stars and Teeth"

 "All the Stars and Teeth"

Written by Adalyn Grace

Reviewed by Diana Iozzia

All the Stars and Teeth jumps out onto the young adult fantasy scene, boasting a magical and swashbuckling tale of pirates, legendary monsters, and dark magic. Princess Amora's parents are the king and queen of Visidia. Amora may not claim her right to heir to the kingdom, unless she learns how to master her island's magic, soul magic. The other island citizens practice other types of magic: elemental, enchantment, mind, time, restoration, and curses. Amora's call to action arrives from the catalyst: Kaven, a member of the exiled curse island, is planning a revolution to win the kingdom. Amora must team up with Bastian, a secretive pirate, Ferrick, her bumbling fiance, and Vataea, a beautiful but dangerous mermaid. 

Amora's tale was very entertaining. Adalyn Grace's writing style is detailed, fun, and thorough. Grace provides fantastic legends and history of the kingdom. The plot follows an aquatic adventure full of sailing, dark creatures, strange yet opulent locations, and a brilliant battle sequence. With a toned down love triangle, the story tends to focus much more on Amora's ambition to save the kingdom and her courage, which is a refreshing take in comparison to many other entries in the genre. There are many heart-pounding and exciting scenes, especially during the fight sequences. I also loved the small scenes in which our crew sought information, like when they entered the barracuda club.

The characters in the story were likeable and entertaining. Bastian is handsome and cocky, while Ferrick is awkward and nervous, afraid of everything. Vatea is headstrong while cautious. While Amora is protective of her kingdom, she is not selfish. As secrets become unveiled about herself, Bastian, and the kingdom, Amora stays calm and recognizes the importance of the events at hand, without being blinded by emotion. Amora's character is a strong and healthy protagonist, one that I think can be a great role model.

I really enjoyed this novel, but it does not feel like a brand new favorite. I felt that the novel dragged in some places. Additionally, the novel felt a bit confusing at times, giving us large chunks of exposition about the kingdom. Lastly, I felt the villain and his reveal were a tad lackluster. The stakes did not pay out to be high enough, leaving Kaven to feel a bit boring and not very frightening. The last act of the story progressed so quickly, it felt too rushed. I feel that if you might enjoy a Disney princess in a Marvel movie story with pirates and legendary creatures, you'll like it. It's a lot of fun, and I look forward to a sequel if it comes!

I rate this story at four out of five stars.

I received a finished copy from Titan Books to read and review. Thank you to the publishing company for the opportunity.

"Our Chemical Hearts"

 "Our Chemical Hearts"

Written by Krystal Sutherland

Reviewed by Diana Iozzia

Our Chemical Hearts stands out as being the most problematic book that I have read in a very, very long time. In anticipation of the release of its Amazon Studios adaptation, Our Chemical Hearts was recently re-printed to create buzz and attract new readers to the original source. However, I believe that author Krystal Sutherland created an extremely offensive and hurtful story, one to which teens should not be exposed.

The plot begins with the first person narrator, Henry, meeting the new girl, Grace, for the first time. Grace is extremely shy and is perceived as odd, because she smells, dresses in male clothing, doesn't appear to bathe, and she walks with a cane. Henry and Grace are tossed together to co-edit their high school's newspaper. Henry and his two best friends begin a Nancy Drew-like investigation to understand why Grace acts differently.

Very early on in the story, I began to believe that this is a harmful portrayal of teen relationships, sex, love, and grief, one that should not have been re-printed as it is. I absolutely believe that the publishing house is at fault for not editing the book and taking out matter that wasn't as problematic in 2016 when it was released, but it is now far more unhealthy. We readers and reviewers need to hold publishing houses accountable when they choose to release a book that portrays unhealthy depictions.

Feel free to click away in fear of spoilers, but I am about to list problems I had with this novel.

• Henry treats Grace like a manic pixie dream girl. There are repeated references to this issue in the story. Just because an author points out the flaws, it doesn't mean we can forgive them.
• There are far too many parenthetical asides. This writing style choice took me right out of the story by the end of the first chapter.
• Henry's two best friends are Murray (Muz) and Lola. Murray is portrayed as the annoying drunken foreign character, in this case Australian, who cannot take any situation seriously and uses far too much slang.
• Lola is a gay character, who never stops talking about being gay. I am in full support of having an LGBT character, but it seems like she was just used to be inclusive, not to be meaningful and shed important light on her experience. It feels as if the author watched two episodes of The L Word and thought it to be sufficient research.
• An Indian character named Seeta Ganguly is called Sugar Ghandi by all characters in every instance of her being spoken about.
• Henry's insistence on treating Grace like an experiment or a puzzle to be decoded. Her grief over her dead boyfriend isn't a light silly mystery for him to investigate. He also treats her terribly in nearly every conversation, because he is jealous of Dom.
• Yes, this was published four years ago. No, there still shouldn't have been a sexual encounter, in which Henry felt depressed that he couldn't have sex with her, because they were drunk. Not even a question of consent; he worried he would not be good at sex.
• In another instance, after he loses his virginity to Grace, he listens as she cries while falling asleep, crying that she misses Dom. And Henry is livid, not caring or understanding. He's livid that after he pressured her into sex, and frankly their entire relationship, that she doesn't feel elated after intercourse.
• There's another scene where he feels unhappy that they cannot have sex, because she is too drunk. The conversation should be surrounding that she may have an alcohol problem, not that he has blue balls.
• Henry, his sister, and his best friends stalk Grace as she walks to the cemetery, when they first realize Grace might be unhappy.
• A "Why You Should Date Me" powerpoint presentation, which Henry uses to manipulate Grace and bully her. In which he mentions how her ex abandoned her, not possibly considering who she could have been visiting at the cemetery.
• We even have a moment where Grace tells Henry that she will stop going to visit Dom, because of Henry, because doesn't want her to "|lie| on the grass above his decomposing corpse, crying tears that seeped into the earth to rest upon his coffin".
• Tasteless jokes about her injury and accident. Dom is dead, was killed in an accident that Grace was involved in, and Henry just feels mad that Grace's every thought isn't consumed by Henry. Imagine if something similar happened to your cousin, sister, boyfriend, best friend in real life. Is this how you'd like the story to be told?
• I don't feel the characters or the readers learn any lesson from this story. Teens will not read this and take any positive wisdom away from it.
• There are far too many jokes and negative comments about addicts, especially those who suffer from drug and alcohol addiction. I feel I could count on my hands and toes how many times I read the word 'junkie'.

Let us now examine some direct quotes from this novel:

"Because apparently you still have to chase girls who can't run."

"...Trying to decide if I wanted to vomit because I was drunk or because the girl I'd lost my virginity to had probably been thinking about her dead boyfriend the whole time."

"I wanted so badly to stick to my guns, to make her feel bad for the weeks of hell she'd put me through when she chose her dead boyfriend over me."

In defense of the novel, I enjoyed some aspects of Our Chemical Hearts. I personally enjoyed Henry and Grace's characters at first, as well as the best friends and Henry's family. However, Henry's character was soured very quickly. I loved Grace's character. She is portrayed in her grief very accurately and carefully, which made me wish the whole story was through her eyes, rather than Henry's rose-tinted glasses. Grace was flawed and interesting, and I wish we could have seen more of that, instead of Henry moping about her. Additionally, I enjoyed the format types: text messages, letters, and other social media messages.

Still, this novel is one of the worst cases of toxic romanticization and poor misrepresentation I have ever read. Every John Green book combined with Rainbow Rowell, as the publisher advertises, would be less problematic and hurtful than this novel. I cannot believe that Bonnier Books / their young adult imprint, Hot Key Books, would allow this book to be reprinted, without major edits. This book is horrible and sets terrible examples for teens and young adults. Impressionable readers could misconstrue this novel, but the worst offender is the publishing house for not caring enough about the readers to fix these issues. In an era where political correctness and stories of the Me Too movement are so important and relevant, it feels that Bonnier Books spits in the face of these important topics and completely ignores them, like Henry ignores Grace's true feelings. There is no excuse for this publishing company to have acted this way, other than a greedy gimmick to bring in readers and money. In no way do I recommend this author or novel.

Thank God, they did not end up together. I truly would have burned this book.

I was sent a complimentary edition of this novel by Bonnier Books and Hot Keys YA.

"Eden"

 "Eden"

Written by Tim Lebbon

Reviewed by Diana Iozzia

Eden bursts out onto the scene of a newer sub-genre: eco-horror. Eco-horror is categorized as a horror work, that has the true villain be a secondary cause of the conflict. The main conflict instead is the human influence on the world, on the ecological environment. Additionally, Eden can fall into the sub-genre of natural horror, as the world attacks back. The author, Tim Lebbon, might be familiar to some from his books and the recent Netflix adaptation of his novel, The Silence, starring Kiernan Shipka, Miranda Otto, and Stanley Tucci.

In Eden, a group of adventure explorers decide to illegally enter Eden, one of the safe, beautiful thirteen zones off limits, in a world that is on the brink of falling apart. With oceans rising to unsafe degrees and the depletion of the rainforest, Earth looks how scientists predict it will. The crew consists of Lucy, Aaron, Selina, Dylan, Cove, Gee, and Jenn. Jenn is our leading female protagonist and 'final girl'. Her father, Dylan, has been exploring with her for years.

Notoriously, Eden is a beautiful, lush zone that has been reclaimed by nature but many know it to be dangerous. Each crew member has a reason for entering. Many people have been searching each zone for the fabled ghost orchid, which may have properties that can save the planet. Jenn has an underlying motive for joining the expedition. She believes that her mother, Kat, was on an earlier expedition through Eden.

The horror style of the story comes into play early on. The beginning of the novel feels a tad slow, but author Lebbon takes his time to develop each character and introduce exposition in a realistic way. I do love an action / adventure / horror that begins while the characters are in transportation, en route to their dangerous mission. When the characters land, they start to discover some sinister plays in motion. They find many dead bodies, not necessarily decomposing but placed in a way that nature reacts to them. Water flows through a body. Flowers grow from a body. Additionally, we have a perspective that follows Kat, as she descends into a monstrous animal. 

Personally, I felt the story fell a little flat for me. I enjoyed the action and adventure moments, but many scenes felt a little too long. I also wish that the relationship between Dylan and Jenn. Their father-daughter dynamic is interesting, but I felt that Lebbon focused heavily on Dylan's relationship with his ex-wife. However, I still genuinely liked the story. I found the bloodthirsty animals and strange plant biology to be very unique, and it proved to be an effective horror novel, even though I felt like most of the novel was a combination of Jurassic Park and Predator, possibly due to the author's work for the Alien vs. Predator novels and on other sci-fi novelizations. I think that some readers might have hoped for more of a post-apocalyptic story, but I found that Eden succeeded in not living up to that expectation. I just wished that the novel was a bit more insightful than fun.

Finally, I rated this story at four out of 5 stars. I'll be keeping it in my collection and continuing to read more works from Tim Lebbon in the future!

Thank you to the lovely Titan Books for sending a finished copy in early 2020 for my reviewing purposes. I think we can all understand why us reviewers are a little delayed this year!

"Call Me By Your Name"

"Call Me By Your Name"

Written by Andre Aciman

Reviewed by Diana Iozzia

Call Me By Your Name is marvelous and mesmerizing. The novel is romantic fiction bearing a plot that follows a 17 year-old Italian boy, Elio, who falls in love with his American houseguest, Oliver. They engage in a romantic summer fling, which could only ever lead to heartbreak. However, the positive and uplifting ending leads into the sequel, Find Me, which I plan to read soon. In a similar 'love then lost' storyline to a favorite, Tin Man by Sarah Winman, I found this novel to be a brand new favorite.

To continue, Aciman has a brilliant and captivating writing style, that just makes the reader feel good while reading, as if it is able to cause a serotonin release all on its own. The story feels pure, but sadly, Oliver does not. Elio is sweet, caring, and a little weird, but he feels so incredibly realistic, as if he could be telling the story to the reader in the same room. Oliver runs hot and cold, which just causes Elio to find him even more irresistible. I find him to be uninteresting at most times, while Elio carries the story in his poetic first person narration.

The characters play off so brilliantly, showing the stark difference between the two, as they both engage in this relationship. While I feel much more sympathetic and loving towards Elio, I felt it was interesting to see Oliver's character development in the later portions of the book, in Rome and in the epilogue portions. I felt so much longing and aching while reading, especially during their last days together. As someone in a long-distance relationship, I understand the pain of saying goodbye and wanting to drink every last second of the other person before separating. 

Additionally, I read this in a print form, but I imagine it'd be lovely to listen to as an audiobook. I plan to watch the film. I truly believe that this novel is best consumed in a kinesthetic way, recommending that the reader listens while drinking wine, having cheese and grapes, sitting outside in the sun, and even while listening to Taylor Swift's new album, Folklore. I plan to be engaging similarly again, when I pick up the sequel and when watching the film adaptation.

Lastly, I want to point out that although there is an age gap between the characters, I think one can push past it. The age of consent in Italy is fourteen, so even if that skeeves you out, the relationship in the novel is consenting at all times.

I rate this book at 5 out of 5 stars. It will stay in my collection and be cherished.

 

"The Secret History"

“The Secret History”

Written by Donna Tartt

Reviewed by Diana Iozzia

The Secret History is a modern classic, that helped define the dark academia genre. The genre is classified by its mix for characters’ appreciation and love for Greek, Roman, Italian, French, and romantic culture, and the characters’ descent into dark crimes. The setting is almost always an exclusive boarding school or college. Other famous novels, which I have all read, in this genre are If We Were Villains, Long Black Veil, Dead Poets Society, Black Chalk, and She was Always the Quiet One. As an anglophile who would consider this genre to be a favorite, I knew for years I wanted to go to the core, to return to the roots of this type of novel. Many say that The Secret History and Dead Poets are the parents of this genre, so I was thrilled to begin.

 

This novel, one of Donna Tartt’s masterpieces, about a group of Classics majors at an elite university has become praised, mocked, and emulated in many popular films and television shows. Most recently, a teen favorite to love and hate, Riverdale centered its fourth season around the similar theme, with a main character beginning school at a literature-centered boarding school. There are characters similar to Tartt’s, including a character even named after her, called Donna Sweett. Tartt’s novel has such lasting power, that so many works have been inspired by her. My favorite is mentioned earlier, If We Were Villains, about a close-knit group of theatre students who begin acting suspiciously like their William Shakespearean counterparts.

 

In The Secret History, we meet a cult-like group of individuals, obsessed with classics culture and speaking romance languages. Charles and Camilla are twins, bordering on the incestuous side. Francis is wild yet reliable. Henry is a sensitive yet caring guy. Lastly, Edmund “Bunny” Corcoran is Henry’s foil, a rude and terrible man who takes advantage of everyone in the group. However, the story starts out on a very interesting note: our narrator, Richard, tells us the investigation team and police have found Bunny’s body after ten days of his murder. Richard also tells us that he and his friends are behind it. The story then propels backward to the beginning of Richard’s education at the Hampden boarding school, showing us each character’s descent into mania and madness.

 

Tartt does an excellent job at creating characters that are meant to be disliked, beloved, frowned upon, and absolutely hated. Depending on the reader’s personality type, Tartt’s characters will be relatable to some, while all readers can agree that Bunny is purely disgusting. However, we readers must look upon our own moral compass and decide if his death is justified.

 

Tartt’s writing style may be off-putting to some, but I found myself eating it up like ice cream. I found her verbose and eloquent way of writing to perfectly match the story style. Each character has distinct mannerisms, vocabularies, and personality traits that easily define them and allow us readers to find them significant. Additionally, a dark tale at an elite university would require thick language and require references to the romance languages these characters speak. To some, the language and dialogue may feel pompous, but I believe that the story could not be told in any other fashion. The bombastic style allows the story to feel authentic. While I personally never attended a university or boarding school, I can recognize the human nature and imagine myself there. Her more irritating characters feel realistically annoying. Tartt’s work never feels excessive, and readers can appreciate the time, effort, and research she invested into this project.

 

I personally loved the story, but I must acknowledge some flaws. There are some horrific moments of sexual content that has not aged well. We must consider the time it was written and also which characters are saying and acting this way. We are not meant to sympathize and agree with the horrific words and actions in which the main characters partake. Additionally, I believe that many readers could find frustration in how long the story is. In comparison, I find other stories in the dark academia genre to not be long enough. The Secret History takes place over the darkest year of Richard’s life, so it would feel it would be an injustice to have the story take place over only 300 pages. The 550+ page length of the story includes fleshed-out characters, intense but vivid scenes, and appealing sequences. Many novels do not include every length that Tartt has included. I only wish we could have a current adaptation of this, perhaps into a mini-series directed and acted in by the best and brightest of current Hollywood.

 

Moreover, this novel includes LGBT characters, similar to If We Were Villains. Thankfully, in comparison, Tartt does not use the LGBT characters to send a graphic message or manipulate the characters specifically because of their sexuality. However, I still do not think the representation of the LGBT characters, especially for Francis and Richard, was a successful one, merely glossing over certain moments due to the characters’ inebriation. As mentioned above, I do warn about the incestuous relationships, and the sexual content. Also, this genre glorifies murder, smoking, drugs, alcohol, sleepless nights, and unhealthy relationships.

 

Furthermore, I highly recommend this novel to those who have enjoyed all books, films, and television programs I have mentioned above. Those who love gothic and dark themes, especially in works for young adults and teens, may enjoy this novel, if they have not yet learned about it. I also recommend this book to lovers of Carrie, Heathers, Kill Your Darlings, Never Let Me Go, and even Rope.

 

Lastly, I will rate The Secret History at 5 out of 5 stars. I was very lucky to find my copy at a free little library, but I will plan to buy a nicer and cleaner copy.

"Bottled Goods"

“Bottled Goods”

Written by Sophie van Llewyn

Reviewed by Diana Iozzia

A tale of political revolution mixed with magical realism could be a cocktail for a great novel, with lasting power and relevance to today’s climate. Admittedly, Bottled Goods is a fantastic look into the Romanian Revolution, how defecting your government and escaping would look in that era. Our main characters are Alina, Liviu, Alina’s mother, and her Aunt Theresa. Conversely, the plot barely relied on the magical realism aspect, being able to shrink people to fit in a bottle, until the last act of the story.

Alina’s narrative voice interested me. I loved learning more about the Romanian Revolution in simplistic and realistic views, letting us see how it affected everyday citizens, like a favorite of mine Persepolis. Her unhappy marriage and her strong dislike towards her parents led to an unsympathetic choice she makes, but it does not lead to a perfectly happy ending. Personally, I became invested in this novel for the wrong reasons. I imagined it to be more like Snow in August, Pan’s Labyrinth, Exit West, and more, in which the magical realism relates politics to magical elements in a symbiotic way. However, I felt that the plot was not propelled by the shrinking magic, where I thought it would have more of an influence.

Additionally, this book was only 180 pages. Due to its small size, it includes chapters that are more vignettes and were serialized by the author. This lends the book to feel too short and hardly developed, without us learning much about each character. I do recommend this novel, but I just wish that the story would have been longer and fulfilled my expectations more.

I rate this novel at 3 out of 5 stars.

Thank you to Harper Perennial for the advance copy, sent to me in exchange for a reading and reviewing purpose.

“Goodnight Beautiful”

“Goodnight Beautiful”

Written by Aimee Molloy

Reviewed by Diana Iozzia

Goodnight Beautiful is the second psychological thriller that Aimee Molloy has written. Molloy’s first thriller was a favorite of mine, The Perfect Mother, about a woman whose son goes missing a few weeks after she’s joined a mommy group. When picking up her next, I remembered how I enjoyed Molloy’s ability to subvert expectations, without providing too much detail and allowing the reader to assume and trust the writing. Again, what a brilliant entry into the psychological thriller genre. Molloy’s manipulative style allows for another conniving villain to come forth, without us even realizing what was wrong until it’s too late.

To begin with, the plot follows Sam and Annie, a married couple who seem happy on the surface. We learn that it’s far too easy to listen in on Sam’s therapist sessions with his clients, which allows us to be instantly suspicious of him. Also, in a stark change to the genre, Sam is the one who goes missing, which was so surprising to me, because we never see the husband go missing. Additionally, the story is told in two perspectives: a third person perspective of Sam and Annie and a first-person narration which maybe you shouldn’t trust. Similar to great thriller writers like Sarah Pekkanen, Greer Hendricks, and the Liv Constantine sisters, the reader learns that all too soon, we cannot trust who we’re reading about.

Without giving too much more away, I applaud this book. Many moments of the story are completely unexpected, while some are perfectly expected, but not for the right reason. Molloy sets certain scenes to follow the pattern of what we would expect from this type of book, to throw it in our faces and say “No. Of course it wouldn’t be her or him”. Similar to the great Knives Out film that has just graced us with its presence, we should never predict anything in this novel.

There were some issues I had with the novel. I found the final mystery to be an interesting reveal, but due to my familiarity with Molloy, I was not surprised. Was this intentional? Hm. Also, a major nod to a great mystery thriller, Misery, allowed for some fun moments, but it felt that Molloy took too much inspiration and did not make her story unique enough.

Finally, I loved this book. Although I was unimpressed with the Misery connection, I found this novel to be outrageously fun and deliciously twisted. I highly recommend it, to even new readers to this genre. I rate this at 4 out of 5 stars. I plan to keep it in my collection for years to come. I eagerly anticipate future works from Aimee Molloy.

I received an advance copy from Harper Books in exchange for my reading and reviewing purposes. Thank you to the publisher for the opportunity.

“And Now She’s Gone”

“And Now She’s Gone”

Rachel Howzell Hall

Reviewed by Diana Iozzia

For many years, I have gravitated towards psychological thrillers that have a female lead, because frankly, we do not get many female protagonists unless they’re in perilous situations. Am I enabling the genre for not expecting more from its authors, or am I embracing any chance at a female lead? Either way, the newest debut from Rachel Howzell Hall is presented to us in two perspectives: of Grayson Sykes and Mrs. Dyson. We soon find out how the two are connected, and how the connection will lead to the disappearance and search for Isabel Lincoln. Gray is hired by Isabel’s partner, Ian, but it soon becomes suspect that Isabel has fled on purpose, hoping to not be found.

Hall creates a dark abyss of deceit that Gray falls into, as she searches for the elusive Isabel. Furtive characters come out of the woodworks and reveal interesting clues about who Isabel may be and what her choices might mean. Eventually, we are led to an appealing and challenging climax that made the book worthwhile.

 

However, I felt that the execution of its plot, characters, prose, and dialogue did a disservice to those elements. Hall uses long-winded descriptions, common dialogue, far too large an ensemble, and many filler scenes that do not reveal enough detail about the story. I felt that the two major plots: Isabel’s disappearance and the truth behind Mrs. Dyson were too different and unnecessary to have both. I could see how the Mrs. Dyson plotline could tie into the backstory of Grayson, but it did not feel necessary to set it up as half of the plot. Two major plotlines with two major villains turned the book into a tiring reading experience for me.

 

One of the best things about this story is that it is written by a woman of color. Although the psychological thriller genre is dominated by white men and women, I was so grateful to spend more time reading from perspectives and experiences of black characters. In today’s climate, we have an obligation to read more diverse books and encourage budding black writers, so let’s start here. I fully plan to read other works by Hall that have been already written and more to come.

 

Due to my dislike for much of the writing style, I give this a three out of five stars. I still enjoyed the book for the most part, and I recommend it.

Thank you to Forge Reads at Tor Publicity for sending along a complimentary copy to read and review.

 

"Algedonic"

“Algedonic”

Written by R.H. Sin

Reviewed by Diana Iozzia

Algedonic is a collection written by the prolific and well-beloved modern poet, R.H. Sin. His type of poetry includes themes of mental health, romance, confidence, self-care, and self-love. Sin creates many dark poems with light tones and vice versa, allowing the reader to indulge in his figurative language and appreciate the deeper meaning to his words. The word ‘algedonic’ means: characterized by or relating to pain, especially as associated with pleasure, says Merriam-Webster. This collection’s theme is poetry that fits into this category: how pain from love and life can be mixed with pleasure. Sin creates the poetry in this collection to incorporate the full scale, of how painful love can be attractive and how it can be deadly.

The two sections, PAIN | CHAOS and PLEASURE | PAIN, have small poems inside without titles. The poems speak to the survivors of these experiences. Using beautiful figurative language and twists on common phrases and idioms, Sin creates wonderfully written poetry.

In conclusion, I absolutely adored this collection. Due to its interesting theme, I felt myself very entertained. Many verses in these poems feel truthful yet heartbreaking. As I had borrowed the book from the library to read this, I now will be planning to purchase it and keep it in my collection.

I rate this collection at 5 out of 5 stars.

“Making Friends with Alice Dyson”

“Making Friends with Alice Dyson”

Written by Poppy Nwosu

Reviewed by Diana Iozzia

As a nostalgic fan of teen / young adult romance novels, I felt excited to begin reading Making Friends with Alice Dyson. I have long enjoyed these types of novels, and I was hoping to find them similar to those I read when I was in my teens. However, I have learned in my twenties, that teen fiction does not always hold my interest anymore, with new slang, technology, and pop culture references. To my surprise and pleasure, I found that Alice Dyson held my interest and entertained me in many different ways.

To continue, Nwosu impressed me, with witty yet realistic dialogue, appealing characters, and a very handsome love interest. Alice Dyson is reserved, shy, and intelligent, while her best friend, May, has become obsessed with dating and popularity. Alice has become tentative friends with Teddy, a mysterious new kid who is rumored to have been violent towards teachers and students at his previous school. The plot centers around Alice’s friendship with May, changing for the worse, as May becomes cruel and uncaring towards her friend. Alice also is consumed by her budding interesting in Teddy, about whom she learns and realizes that he is not the dangerous bully people say he is.

In all honesty, this story is fresh and sweet, but it does not feel incredibly unique. The plot does not feel very complex, when I would have hoped it to be a bit stronger. The themes of first love and loss of friendship are important, but I felt that Nwosu could have dug deeper and made them more meaningful. Also, I felt that some scenes were memorable, but many of them feel similar to any other book from this age and genre. I wish that this book would stand out a little more, but it felt very basic.

In conclusion, I really enjoyed this story, but I felt it could have been more elaborate, with more details and better scenes. If Nwosu continues Alice’s story, I’d happily continue reading it in a series. I also plan to read Nwosu’s book Taking Down Evelyn Trait shortly. I recommend Alice Dyson to those who enjoy the work of Jenny Han, John Green, David Levithan, and Gayle Forman.

I received a complimentary copy to read and review, from Walker Books US. Thank you for the opportunity.

"Sweet Sorrow" - Book Review -

 

“Sweet Sorrow”

Written by David Nicholls

Reviewed by Diana Iozzia

As a fan of David Nicholl’s previous work, Us and One Day, I found myself drawn to his new coming-of-age tale that reminds us of childhood, first love, and lost love. We are introduced to the main character, our narrator, Charlie Lewis. As Charlie is preparing to marry his fiancé, Niamh, he looks back on one summer, when he fell in love with his first girlfriend, Fran Fisher. Before her, Charlie felt scared of the future and tired of taking care of his lazy and angry father. Now that he has met Fran, he feels alive again.

 

Charlie spends nearly all of the novel doting on this one summer. Nicholls has a very dream-like yet realistic way of telling his stories, in a way that feels easy to read in a calming way. Through Charlie’s eyes, we’re reminded of our nostalgia for our childhood and teen years, while being able to relate to his bumbling and goofy actions and personality. Additionally, his time spent with his friend group is fun but a little exhausting. I found his summer in the wacky theater group to be a bit chore-like after chapters upon chapters of it.

 

 I enjoyed all of Charlie’s memories, but I do feel disappointed with the novel. Based on the premise, I had hoped that we would travel back and forth, have Charlie ponder his future with Niamh, while he looks back on the past with a different wisdom and hindsight. When I realized we were not going to focus on adult Charlie, I was unhappy. I feel that when we readers pick up a book that includes a coming-of-age story, we hope to see where the character is now. Is he better off that he and Fran broke up? As an adult, does he long to be with Fran again? I felt there was no central conflict, which made me lose my appreciation for the story.

 

I recommend this for readers who enjoy the idea of the premise but may overlook the execution. I would much rather recommend his other works that I have read. I believe I went into this book hoping for a book similar to Ian McEwan’s, where I would feel heartbroken for these characters, who have pined for so long, to only have to stay with the person they’re with, as they wonder forever what could have been. I love a ‘the one that got away’ storyline. I still enjoyed my reading experience, but it just was not what I was looking for.

 

I received an advance copy through the BookishFirst program to read and review. Thank you.

"Heartless" - Book Review -

“Heartless”

Written by Marissa Meyer

Reviewed by Diana Iozzia

As a retelling of a famous literary work, especially one for children that was made into a Disney film, Heartless, had my significantly high expectations to overcome. For all my life, I have loved Alice in Wonderland, Alice’s Adventures in Wonderland, and many different retellings. Remakes and reimagining of Alice’s story have been pervasive in media since Lewis Carroll’s first publishing. This work, Heartless, comes from a writer who has made most of her career adapting and reimagining fairy tales and folklore, so I expected greatness. This recreation is spear-headed by Catherine, ‘Cath’, who lives in the Kingdom of Hearts in what will be known as the dimension of Wonderland.

Cath is a teenager, of noble blood, whose main ambition is to open her own bakery in the small cozy village nearest her. Her parents believe that Alice should be married off, to the King of Hearts, who has begun courting Cath. However, Cath does not want to be married to him, for she meets a new boy to capture her heart, Jest, a joker at the castle. Jest is charming and clever, while the King is boring and oafish. The premise of the story is that we meet a young Queen of Hearts, before her rise to power and her descent into madness. Can we reconcile that Cath will be later this demonic and horrific villain? Will we see why? Cath’s journey introduces us to many familiar characters from the Alice lore, including some interesting new characters. We see the White Rabbit, the Mad Hatter, many cards turned guards, a cobbler named Caterpillar, Magpies, Cuckoo birds, Duke Warthog, Peter Peter Pumpkin Eater, the Jabberwock, and more.

My thoughts on this novel are all positive. This is a fantastic work of young adult fantasy, with gorgeous figurative language, incredibly visual scenes, witty yet intelligent dialogue, and a true author’s ability to adapt a classic. Mayer’s wisdom shines through, as she acutely can adapt these characters and story into a fresh and unique work of fiction that honors the original and praises her innovation. Heartless is a stark novelty, almost a new fairy tale all on its own. Additionally, I was impressed by the character development of Catherine, her positive changes and the unraveling of her mental state. I was surprised by the causes of her descent into madness, but I found some clues that alluded to it.

After completing the story, I found that the plot was so incredibly intricate, with clues for every reveal embedded in details. The author’s ability to create nuance, providing appealing and effective context for most memorable scenes and moments from Alice’s Adventures in Wonderland: painting the roses red, ‘off with her head’, the Mad Hatter’s craziness, etc. I was completely invested in all plot aspects: her bakery dreams, her marriage woes, her romance with Jest, the fear of the dangerous Jabberwock, and the secrets surrounding certain characters. I loved the inclusion of fates, puzzles, riddles, Time, the Looking Glass, and a thorough world build of each kingdom, Hearts and Chess. The final act of the book includes a fascinating climax with many interesting reveals, important deaths, heartbreaking decisions, and a great final line. Cath’s descent into madness was unexpected and crushing, yet unbeatable.

Personally, I think this may be the best Alice’s Adventures in Wonderland reimagining that I have yet to read. Heartless was absolutely perfect, without any glaring flaws or poor aging aspects. I truly wish this could have been extended into a series, but maybe if we beg Mayer enough, Catherine’s story would continue. I would love to spend more time in Mayer’s version of Wonderland. Truly, I recommend this novel to anyone interested in fantasy, young adult, Disney, and fairy tales. As an adult, I have grown skeptical of teen fiction, for fear of cheesy dialogue, poor character choices, and unhealthy romantic depictions. None of these fears came true, leaving me blown away. If you find yourself on the fence about picking this novel up, take the leap.

"Landline" - Book Review -

“Landline”

Written by Rainbow Rowell

Reviewed by Diana Iozzia

A nostalgic and magical story, yes. A thorough and developed story with layer and lessons learned, no. Landline by the beloved Rainbow Rowell feels similar to if Taylor Jenkins Reid wrote It’s A Wonderful Life. In this novel, we meet Georgie (a nod to George Bailey, a similar character, perhaps?), who has been ignored and avoided by her husband at Christmastime, when she chooses to spend more time working on her work project than spending important time with her family. Georgie struggles to contact Neal, through errors with her cell phone and voicemail tag, finding her parents’ landline to work. However, once Georgie is enabled to speak to Neal, she finds that it is a version of her past Neal that she is communicating with.

Georgie’s tale is one that I imagine most adults who have been in long term relationships can understand. The Last Five Years is a favorite musical of mine, telling the tale of Cathy and Jamie, who have separated after they cannot both achieve their dreams and are determined to hurt the other. I understand Georgie’s plight, that she does not want to sacrifice her beloved career for the sake of her family. However, I do not think that she would need to sacrifice one or the other; I think she just has an unyielding and pressuring husband. When she speaks to Past Neal, Georgie does not seem to learn any lessons or adapt any new behaviors, she acts the same way as before. Perhaps it can be argued that Georgie realized how much she has missed with her husband and children. Unlike good Old Georgie Bailey, our Georgie does not seem to need this wake-up call. Personally, I was not going to be surprised if she and Neal decided to divorce, Georgie would date Seth, her co-worker, and if Neal would go back to date his pretty neighbor who happens to be his ex-fiancée.

I liked this novel more than I disliked this novel, but as this is the second book I have read by this author, her work has cemented into my mind in the ‘no’ category. Years ago, I was given Eleanor and Park as a present by my mother, and we both were severely disappointed by it. When considering buying Landline, I thought there would be a possibility that as an adult, I could enjoy an adult-aged story, rather than her work for teens.

I was drastically unimpressed by the unanswered questions. Was Georgie imagining the communication with Past Neal? Now that she has completed a massive grand gesture of soaring through airports at Christmastime on her way back to him, they embrace. However, does that just solve every problem they have? To me, Present Neal is the true problem that Georgie and he have. Although her job is vitally important to her and her dreams are coming true, Neal feels jealous of Seth. Neal nearly ruins his marriage, because she needs to spend time on her dream project. When Neal and Georgie finally see each other after she returns home, the story abruptly ends. Do they rekindle, and will they be happy?

In conclusion, although I enjoyed the plot premise and certain elements, I found the story to be too disinteresting. I found certain chunks of the story to be filler, without any important lessons or events occurring. I enjoyed the inclusion of Georgie’s sister, Heather, but I did not see much of a point to certain scenes with her, including her dog giving birth and her striking a romantic interest with the pizza delivery girl. A last and final gripe finds me strongly disliking some of her jokes that have aged poorly about eating disorders and victim blaming. I recommend this book, because I am sure that many people would enjoy the story, I just have extremely high expectations when reading romance novels. Due to my expectations, there are only certain authors that I would consider to be my favorites and from who I love all their work. I do not think I plan to read more from Rainbow Rowell, because none of her other books’ plots appeal to me.

"Meet Cute" - Short Story Collection Review -

“Meet Cute”

Written by various authors

Reviewed by Diana Iozzia

Meet Cute is a young adult short story collection written by many popular authors. The collection is full of ‘meet cutes’, which are the moments or scenes that love interest characters meet for the first time. These popular and well-loved experiences are sought after in romantic or romantic comedy films and are often remembered for years to come. When creating meet cutes, the author needs to make the characters interesting and appealing. They also must introduce a small plot, so we can imagine where the story may go. These short stories vary differently, with some introducing very bland characters or plots, which have not paid off successfully. However, I did enjoy the collection as a whole.

The first story in the collection kicked off in an unsatisfying way. Sadly, “Siege Etiquette”, written by Katie Cotugno, followed the vein of characters who instantly do not like each other, due to a massive clash of personalities. I liked the setting of the story: a high school party bathroom, where two characters ride out the police attempting to break up the party. I just did not enjoy the characters.

Next is “Print Shop” by Nina LaCour, about a teen girl who begins her new job at a print shop. Her new bosses are eccentric and a tad lazy. She finds that she needs to rush an order, to be delivered as soon as possible. She searches through social media and develops a small crush on the client. This was cute, but I would feel it could be perceived creepy if she was a male searching on social media then crushing on the client. I liked how this story had a problem and solution, rather than a couple meeting on a bus bench.

“Hourglass” by Ibi Zoboi did not impress. About a girl searching for her prom dress, we receive tons of information about her that hardly feels relevant, as if it is padding the story with filter. The boy she meets seems nice. The end. I do not know if the author’s writing style appealed enough for me that I plan to read her work, Pride.

I very much enjoyed “Click” by Katharine McGee. A slightly futuristic, possibly sci-fi story, it includes the tale of Alex and Raden, who meet when Alexa loses her phone. We realize she is creating an app to be able to communicate with dead friends and family, almost reminiscent of the Black Mirror episode, “Be Right Back”. I enjoyed the writing style, characters, and conflict.

“The Intern” hails from a childhood favorite author, Sara Shepard, of the Pretty Little Liars and The Amateurs. Her story was relatively enjoyable, about a teen female intern who must help a teen heartthrob musician travel through New York City. Clara struggles with the demons of loss of a parent, while Phineas comforts her. Although some of the dialogue and plot of the story is a tad cheesy, I would read this if it was turned into a novel.

“Somewhere That’s Green” by Meredith Russo stars a young transgendered teen named Nia and her castmate from Little Shop of Horrors, Lexie. Nia feels out of place in high school, as she strives to receive equal treatment, while Lexie hopes to help. It was a tad disinteresting to me, but I can appreciate the author’s writing style and effort place into the story.

Dhonielle Clayton’s “The Way We Love Here” is a folklore-based fantasy story about a couple who are tied by destiny, who have the opportunity to see their future in a few different scenarios. I felt that this was a unique story, but I wasn’t the biggest fan of the story.

Emery Lord’s “Oomph” is an absolute favorite story from this collection, following two sweet female teens, Joanna and Cassidy, who meet in an airport. Full of funny Marvel references, the characters chat about mysteries, college plans, and their futures. We leave on an exciting and very cute gay ending, leaving us wishing this was adapted into a full-length book. I eagerly anticipate looking into this author. I have absolutely no complaints about this story, and I highly appreciate the music suggestion that the story ends on, “Pretty Girl in an Airport”. What an adorable song.

The next story in the collection is “The Dictionary of You and Me” is by Jennifer L. Armentrout. It follows a young man and woman who have a cute, Sleepless in Seattle-like romance. She works for a library and must convince him to bring back a book. They have developed a phone conversation friendship, but now we see them meet. This was a pretty good one, but it wasn’t a favorite.

“The Unlikely Likelihood of Falling in Love” was written by Jocelyn Davies. This is a cute, New York City set story, in which a statistical wonder meets a cute boy on the subway by chance. Our narrator explains how unlikely that it would be they’d meet again, but we see him wear his same blue hoodie every time they see each other, so she knows it’s him. Finally, they both get off the separate subway and finally are able to speak to each other. I liked this one.

“259 Million Miles” hails from the science fiction teen queen, Kass Morgan. As a dear fan of her series, The 100 and its television adaptation, I was eager to begin this story. Unfortunately, I felt unimpressed by nearly everything other than its setting: a space mission preparation base. I did not enjoy the cheesy, ‘teen’ dialogue, characters, or plot.

“Something Real” by Julie Murphy was my second favorite in this collection. A massive fan of the Dumplin’ series, I felt my previous love for the author to continue through this story. June, the head of the fan club for a famous boy singer, Dylan, has the chance to enter a competition to win a date with him. After a grueling and terrible experience in the game and learning her hero is a jerk, June finds a romantic interest with her competition. Loved it and would love to read it in a full-length novel.

“Say Everything” felt supremely disappointed, with the bad boy character giving off creepy vibes, rather than being a cool, smarmy outsider. I did enjoy the creation of the narrator’s ‘Book of Lost Opportunities’. It’s a cool journal idea.

“The Department of Dead Love” was a massive let down. I have not read Nicola Yoon’s work yet, but I was really disheartened by this story. The setting is an eponymous office, in which a male teen goes for an autopsy, to see why his relationship fell apart, only to fall in love with the receptionist. It felt like a cheesy episode of Sabrina the Teenage Witch, which is an insult to Sabrina.

In conclusion, the sweet and entertaining interactions played out musically. I enjoyed many of the LGBT-friendly stories and the stories from diverse authors. I felt invested in many of the stories, which outweighed the ones I did not enjoy. Many stories in the collection would have been great to read in long length. The problem with meet cutes is that although the gimmick of this collection was fun, it feels empty, because we may never see the promise of these characters. Nearly each story feels incomplete, like you’ve only read a chapter from a full-length novel. I recommend this collection, but I perhaps would suggest to look over the ones I disliked.

I rate this collection at four out of five stars.

Thank you to Houghton Mifflin Harcourt for sending an advance reading copy, in exchange for my honest review. Sorry I took so long to read it.

“Emma in the Night” - Book Review -

“Emma in the Night”

Written by Wendy Walker

Reviewed by Diana Iozzia

Emma in the Night is a well-known psychological thriller that was incredibly popular at its time of publication, with many bloggers and readers claiming it to be a five-star read. Today, I spent my time reading the entire novel in one sitting, and I have never been more disappointed in one novel. My expectations were far too high for this story, and they were absolutely dashed to bits on the rocks.

The story is told in two different ways. Our two main narrators are told in first-person by Cass and third person for Dr. Abby Winters. Cass and her sister, Emma, went missing three years ago, after a dramatic fight with each other and their mother. Dr. Winters worked on the case, attempting to find the girls safely. When she was unable to, her mental health declined. When Cass appears on her parents’ front porch, everyone is shocked. Where is Emma?

Cass’s narrative tells the story of what led up to the disappearance and what happened while the girls were gone. Cass portrays everyone around her as unstable, her mother being the most negative and toxic, with possible narcissism disorder. Abby has had experience in her own lifetime with her own narcissistic mother, so she begins to notice cracks in the stories that Cass may be telling. The plot continues as Cass selectively reveals important details after chapters of her complaining about people and rehashing details that we already spent far too much time on. This manipulative character is clearly hiding something. However, my fault lies with author, Wendy Walker, for creating such a frustrating and slow-moving story, where most of the time relies on a character’s thoughts and lies, reminiscent of The Woman in the Window and Gone Girl.

By the time I reached any major twists, I had completely lost interest in the novel. I understand that Walker’s intention might have been to create a seriously unstable individual, but it comes across as mental health misrepresentation and victim blaming. We begin to hate Cass so much, that we disbelieve everything she says. I am sure there is a lesson to learn or a satirical point about women, but slogging through this novel felt Dante’s journey through the circles of Hell. The final important plot twists were unimpressive and frankly, incredibly predictable.

In conclusion, I do not recommend this novel. I truly did not enjoy it. I had every high expectation for it, and the book failed. I rate this novel at 2 out of 5 stars. What is the point of making such an uninteresting and coldhearted fiction? I feel burned out from kidnapping stories in which the victim feels more like a villain. This needs to stop.

"The Outsider" - Book Review -

“The Outsider”

Written by Stephen King

Reviewed by Diana Iozzia

The Outsider is a recent novel by the renowned horror and supernatural writer, Stephen King. The story begins with the finding of the body of young eleven-year-old boy, Frank Anderson. The murder itself was extremely gruesome; Frank was sodomized and then killed by bites to his many organs and then a lethal one to his neck. Fingers point at Terry Maitland, Frank’s baseball beloved baseball coach. The murder envelops the town in a dark shadow, with parents and children in an uproar, thinking they trusted Terry.

To continue, I enjoyed how the story developed, introducing many appealing characters. The main detective, Ralph, of the police department is wise and pleasant. We see him often, interacting with other detectives, his wife, and investigators. Ralph was such a happy surprise, since many of King’s police characters have been brash, crude, and just downright offensive. Ralph and his wife become embroiled in the investigation. Over time, we are introduced to a great investigator character, who hails from the Mr. Mercedes series, Holly.

The first third of The Outsider had me thoroughly invested, stuck in suspended animation, as I waited for more clues to be revealed. A major shock involving Terry was so well-executed, I was gob smacked. Unfortunately, the detectives begin to notice that Terry could not have been involved in Frank’s murder, because how could he be in two places at once? Hoping this to continue in an Agatha Christie-like mystery, I was excited. Sadly, it becomes apparent that the monster who committed the murder is supernatural, rather than human.

Personally, the scariest moments and characters in King’s work incorporate evil humans, rather than evil beings and entities. The Green Mile, Children of the Corn, The Shining, Carrie, 1922, Misery, Dolores Claiborne, and Under the Dome have evil characters. Although there are some supernatural baddies or evil influence from beings in these favorites of mine, the majority of the malevolence manifests in the humans. I have never been frightened in It, Pet Sematary, ‘Salem’s Lot, Bag of Bones, and The Stand. I would have loved this book if we just had a murder mystery, with a wicked serial killer walking around Flint City.

The villain, the “outsider”, was a completely different character to what I would have liked. A Mexican folklore villain who imitates the appearance and voice of others, who feasts on the fear of children? Did we need another Pennywise monster?

Lastly, my final disappointment was the audiobook. I have enjoyed Will Patton’s audiobook reading before, but his dark and gruff voice made the narration seem underwhelming, as he seems to overact each sentence. Less is more, in audiobooks for me. I stopped listening to the audiobook and switched to a print copy, because I was unhappy with his cadence and tone.

I recommend this book if you find King’s monsters to be scarier, but I do not recommend if you like evil humans to be scariest. I will not be keeping this book in my collection, nor watching the television adaptation of the novel.

I rated this novel at three of five stars, because King still delivers an interesting plot with great characters, but I would have hoped for so much more.