Friday, July 31, 2020
"Mayhem"
"Ghosted"
Thursday, July 30, 2020
"Exhibit Alexandra"
Friday, July 24, 2020
"The Secret History"
“The Secret History”
Written by Donna Tartt
Reviewed by Diana Iozzia
The Secret History
is a modern classic, that helped define the dark academia genre. The genre is
classified by its mix for characters’ appreciation and love for Greek, Roman,
Italian, French, and romantic culture, and the characters’ descent into dark
crimes. The setting is almost always an exclusive boarding school or college.
Other famous novels, which I have all read, in this genre are If We Were
Villains, Long Black Veil, Dead Poets Society, Black Chalk,
and She was Always the Quiet One. As an anglophile who would consider
this genre to be a favorite, I knew for years I wanted to go to the core, to
return to the roots of this type of novel. Many say that The Secret History
and Dead Poets are the parents of this genre, so I was thrilled to
begin.
This novel, one of Donna Tartt’s masterpieces, about a
group of Classics majors at an elite university has become praised, mocked, and
emulated in many popular films and television shows. Most recently, a teen
favorite to love and hate, Riverdale centered its fourth season around
the similar theme, with a main character beginning school at a
literature-centered boarding school. There are characters similar to Tartt’s,
including a character even named after her, called Donna Sweett. Tartt’s novel
has such lasting power, that so many works have been inspired by her. My
favorite is mentioned earlier, If We Were Villains, about a close-knit
group of theatre students who begin acting suspiciously like their William
Shakespearean counterparts.
In The Secret History, we meet a cult-like
group of individuals, obsessed with classics culture and speaking romance
languages. Charles and Camilla are twins, bordering on the incestuous side.
Francis is wild yet reliable. Henry is a sensitive yet caring guy. Lastly, Edmund
“Bunny” Corcoran is Henry’s foil, a rude and terrible man who takes advantage
of everyone in the group. However, the story starts out on a very interesting note:
our narrator, Richard, tells us the investigation team and police have found
Bunny’s body after ten days of his murder. Richard also tells us that he and
his friends are behind it. The story then propels backward to the beginning of
Richard’s education at the Hampden boarding school, showing us each character’s
descent into mania and madness.
Tartt does an excellent job at creating characters
that are meant to be disliked, beloved, frowned upon, and absolutely hated. Depending
on the reader’s personality type, Tartt’s characters will be relatable to some,
while all readers can agree that Bunny is purely disgusting. However, we
readers must look upon our own moral compass and decide if his death is
justified.
Tartt’s writing style may be off-putting to some, but
I found myself eating it up like ice cream. I found her verbose and eloquent
way of writing to perfectly match the story style. Each character has distinct
mannerisms, vocabularies, and personality traits that easily define them and
allow us readers to find them significant. Additionally, a dark tale at an
elite university would require thick language and require references to the
romance languages these characters speak. To some, the language and dialogue
may feel pompous, but I believe that the story could not be told in any other
fashion. The bombastic style allows the story to feel authentic. While I
personally never attended a university or boarding school, I can recognize the
human nature and imagine myself there. Her more irritating characters feel realistically
annoying. Tartt’s work never feels excessive, and readers can appreciate the time,
effort, and research she invested into this project.
I personally loved the story, but I must acknowledge some
flaws. There are some horrific moments of sexual content that has not aged
well. We must consider the time it was written and also which characters are
saying and acting this way. We are not meant to sympathize and agree with the
horrific words and actions in which the main characters partake. Additionally, I
believe that many readers could find frustration in how long the story is. In
comparison, I find other stories in the dark academia genre to not be long
enough. The Secret History takes place over the darkest year of Richard’s
life, so it would feel it would be an injustice to have the story take place over
only 300 pages. The 550+ page length of the story includes fleshed-out
characters, intense but vivid scenes, and appealing sequences. Many novels do
not include every length that Tartt has included. I only wish we could have a
current adaptation of this, perhaps into a mini-series directed and acted in by
the best and brightest of current Hollywood.
Moreover, this novel includes LGBT characters, similar
to If We Were Villains. Thankfully, in comparison, Tartt does not use
the LGBT characters to send a graphic message or manipulate the characters specifically
because of their sexuality. However, I still do not think the representation of
the LGBT characters, especially for Francis and Richard, was a successful one,
merely glossing over certain moments due to the characters’ inebriation. As
mentioned above, I do warn about the incestuous relationships, and the sexual
content. Also, this genre glorifies murder, smoking, drugs, alcohol, sleepless
nights, and unhealthy relationships.
Furthermore, I highly recommend this novel to those
who have enjoyed all books, films, and television programs I have mentioned
above. Those who love gothic and dark themes, especially in works for young
adults and teens, may enjoy this novel, if they have not yet learned about it.
I also recommend this book to lovers of Carrie, Heathers, Kill
Your Darlings, Never Let Me Go, and even Rope.
Lastly, I will rate The Secret History at 5 out
of 5 stars. I was very lucky to find my copy at a free little library, but I
will plan to buy a nicer and cleaner copy.
Wednesday, July 22, 2020
"Bottled Goods"
Monday, July 20, 2020
“Goodnight Beautiful”
“And Now She’s Gone”
“And Now She’s Gone”
Rachel Howzell Hall
Reviewed by Diana Iozzia
For many years, I have gravitated towards psychological thrillers that have a female lead, because frankly, we do not get many female protagonists unless they’re in perilous situations. Am I enabling the genre for not expecting more from its authors, or am I embracing any chance at a female lead? Either way, the newest debut from Rachel Howzell Hall is presented to us in two perspectives: of Grayson Sykes and Mrs. Dyson. We soon find out how the two are connected, and how the connection will lead to the disappearance and search for Isabel Lincoln. Gray is hired by Isabel’s partner, Ian, but it soon becomes suspect that Isabel has fled on purpose, hoping to not be found.
Hall creates a dark abyss of deceit that Gray falls
into, as she searches for the elusive Isabel. Furtive characters come out of
the woodworks and reveal interesting clues about who Isabel may be and what her
choices might mean. Eventually, we are led to an appealing and challenging
climax that made the book worthwhile.
However, I felt that the execution of its plot, characters,
prose, and dialogue did a disservice to those elements. Hall uses long-winded
descriptions, common dialogue, far too large an ensemble, and many filler scenes
that do not reveal enough detail about the story. I felt that the two major
plots: Isabel’s disappearance and the truth behind Mrs. Dyson were too
different and unnecessary to have both. I could see how the Mrs. Dyson plotline
could tie into the backstory of Grayson, but it did not feel necessary to set
it up as half of the plot. Two major plotlines with two major villains turned
the book into a tiring reading experience for me.
One of the best things about this story is that it is
written by a woman of color. Although the psychological thriller genre is
dominated by white men and women, I was so grateful to spend more time reading
from perspectives and experiences of black characters. In today’s climate, we
have an obligation to read more diverse books and encourage budding black writers,
so let’s start here. I fully plan to read other works by Hall that have been
already written and more to come.
Due to my dislike for much of the writing style, I
give this a three out of five stars. I still enjoyed the book for the most
part, and I recommend it.
Thank you to Forge Reads at Tor Publicity for sending along a complimentary copy to read and review.
"Algedonic"
Wednesday, July 15, 2020
“Making Friends with Alice Dyson”
Monday, July 13, 2020
“She Felt Like Feeling Nothing”
“She Felt Like Feeling Nothing”
Written by R.H. Sin
Reviewed by Diana Iozzia
A favorite romance poet of mine is R.H. Sin, who
writes on bad relationships, self-worth, mental health, abuse, alcoholism,
friendships, and raising children. This prolific writer has created many poetry
collections so far, writing hundreds of poems for each book. His poetry feels
genuine, as if he just speaking to you from the heart while you’re having a cup
of coffee together. Sin’s work is just so impressive to me, and I perfectly
plan to own all of his collections.
She Felt Like Feeling Nothing specifically
hones in on female emotion before a relationship, during, and after. I
appreciate how Sin creates poems that encourage his readers to strive to be their
best and to wish to be treated well. He also seems to write more wisely and
more about the real world as he grows older, his poems becoming more realistic and
less dream-like. The collection is split into some sections, such as the Scenes
and the Hymns, with other poems spaced in intermittently.
The poems I enjoyed most from this collection are:
Scenes: “Two, Three, Twelve, Fourteen, Twenty-Six, Twenty-Nine,
Thirty, Thirty-Two, and Thirty-Five”
Hymn: “Four, Seven, Nine, Twelve, Seventeen, Twenty-Two”
“My Life After You”
“I Blame the Movies”
“22 Minutes Beyond Midnight”
“Broken Fuse”
I rate this collection at 5 out of 5 stars for the
content, the poems I enjoyed, and the themes. This is one of the stronger
collections in his repertoire.
Sunday, July 12, 2020
"Blood Moon" - Book Review -
"The Turn of the Key" - Book Review -
Friday, July 10, 2020
"Sweet Sorrow" - Book Review -
“Sweet Sorrow”
Written by David Nicholls
Reviewed by Diana Iozzia
As a fan of David Nicholl’s previous work, Us and
One Day, I found myself drawn to his new coming-of-age tale that reminds
us of childhood, first love, and lost love. We are introduced to the main
character, our narrator, Charlie Lewis. As Charlie is preparing to marry his fiancé,
Niamh, he looks back on one summer, when he fell in love with his first
girlfriend, Fran Fisher. Before her, Charlie felt scared of the future and
tired of taking care of his lazy and angry father. Now that he has met Fran, he
feels alive again.
Charlie spends nearly all of the novel doting on this one summer. Nicholls has a very dream-like yet realistic way of telling his stories, in a way that feels easy to read in a calming way. Through Charlie’s eyes, we’re reminded of our nostalgia for our childhood and teen years, while being able to relate to his bumbling and goofy actions and personality. Additionally, his time spent with his friend group is fun but a little exhausting. I found his summer in the wacky theater group to be a bit chore-like after chapters upon chapters of it.
I enjoyed all
of Charlie’s memories, but I do feel disappointed with the novel. Based on the
premise, I had hoped that we would travel back and forth, have Charlie ponder
his future with Niamh, while he looks back on the past with a different wisdom
and hindsight. When I realized we were not going to focus on adult Charlie, I
was unhappy. I feel that when we readers pick up a book that includes a
coming-of-age story, we hope to see where the character is now. Is he better
off that he and Fran broke up? As an adult, does he long to be with Fran again?
I felt there was no central conflict, which made me lose my appreciation for
the story.
I recommend this for readers who enjoy the idea of the
premise but may overlook the execution. I would much rather recommend his other
works that I have read. I believe I went into this book hoping for a book
similar to Ian McEwan’s, where I would feel heartbroken for these characters,
who have pined for so long, to only have to stay with the person they’re with,
as they wonder forever what could have been. I love a ‘the one that got away’
storyline. I still enjoyed my reading experience, but it just was not what I
was looking for.
I received an advance copy through the BookishFirst
program to read and review. Thank you.
Wednesday, July 8, 2020
"Heartless" - Book Review -
Monday, July 6, 2020
"Landline" - Book Review -
Sunday, July 5, 2020
"Meet Cute" - Short Story Collection Review -
"The Sunlight Pilgrims"
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“The Last Mrs. Parrish” Written by Liv (Valerie and Lynne) Constantine Review written by Diana Iozzia I have hear...
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"You Again" Written by Debra Jo Immergut Reviewed by Diana Iozzia You Again struck me as very eccentric: a tale of confusion, me...